
A material led exploration of the Ashdown Forest, East Sussex
Funded by an Artist Bursary from A-N The Artists Information Company.
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With the help of local wildlife guide and Ecologist, Tom Forward, I spent a few days exploring and researching the rural landscape of the Ashdown Forest. Having relocated my studio practice to this area I wanted to understand and gain knowledge of the species and ecosystem that create this specific environment. Walking the Forest with Tom, I learnt of the flora and fauna specific to this area and we discussed the conservation strategy in place to protect this ecosystem. Whilst walking we compiled a good and bad list of species that either contribute positively or negatively to the landscape. Walking in early early spring and Mid summer allowed us to explore the forests resources across seasons and taught me to identify species at different stages of there life cycle.
With this deeper understanding and connection to the local wildlife I was able to further explore the area on daily walks, visually identifying a new localised material palette. Taking a few fallen, dead or invasive materials at a time I slowly built a library of colour and fibre in response to place. This project forms the very beginning of an ongoing material led investigation into localised resources and place based making.

Summer in the forest

Autumn in the forest
Learning about the flora of the forest,
Categorising plant species into positve and negative. ​​​​​
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Negative :
Purple Moor Grass
Bracken
Gorse
Birch
Laurel
Rhododendrum
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​​Positive :
cross leaved heather / common heather
Sallow / goat willow
​pine
soft rush / bull rush
broom
bilberry
hard fern
sphagnum moss
pendulous sedge
brambles
oak
sweet chesnut
beech
ash
alder
hazel
yew
holly
ivy
yellow flag iris
Colour from the forest :
2025 has been a fruitfull year with a bounty of acorns, oaks galls, tree nuts, cones and leaves. Crunching acorns underfoot for most of the Autumn I gathered a variety of materials to make dye, inks and paints from. I also collected some iron rich water from a forest stream to modify my dyes and inks - reacting the tannin rich plant material with iron to turn yellow and browns to various hues of black.​

Bramble Dye

Nettle Dye

Sweet Chesnut & Goat Willow Bark Dye

Beech Nut Dye

Acorn Dye

Spruce Cone Dye

Alder Cone Dye

Knopper Gall

Apple Gall

Marble Gall

Soaking chesnut & goat willow bark


Ground galls
Iron rich forest stream

Inks and watercolours from oak galls, bark and leaves
photos of :
iron water and stream
tannin rich bark bath - chesnut and willow
powdered oak galls
making ochre pastel etc

Forest inks painting
Fibres from the forest : ​
Collecting sedges, rushes, grasses and brambles I seperated fibres to make cordage and created a collection of simple weavings, learning the flexibility and breaking point of fresh, dry and rewetted fibres. These makings continued to change whilst hung on the studio wall, further curling, shrinking and warping with time, showing natures hand still present in the materials.


Quick cordage made from Purple Moor Grass (invasive) whilst on a June walk with Tom

Goat Willow / Sallow Bark

Pendulous sedge weaving (fresh)

Pendulous sedge weaving (fresh)

Cordage making with Tom whilst sat at Mungo's Waterfall

Yellow Flag Iris, Soft Rush, Purple Moor Grass

Pendulous sedge weaving (fresh)

Pendulous sedge weaving (dried)

Bramble fibre extraction

Pendulous sedge cordage

Grass braiding

Yellow flag iris cordage (autumn growth)

Yellow flag iris cordage (spring / summer growth)
