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A material led exploration of the Ashdown Forest, East Sussex

Funded by an Artist Bursary from A-N The Artists Information Company. 

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With the help of local wildlife guide and Ecologist, Tom Forward, I spent a few days exploring and researching the rural landscape of the Ashdown Forest. Having relocated my studio practice to this area I wanted to understand and gain knowledge of the species and ecosystem that create this specific environment. Walking the Forest with Tom, I learnt of the flora and fauna specific to this area and we discussed the conservation strategy in place to protect this ecosystem. Whilst walking we compiled a good and bad list of species that either contribute positively or negatively to the landscape. Walking in early early spring and Mid summer allowed us to explore the forests resources across seasons and taught me to identify species at different stages of there life cycle. 

With this deeper understanding and connection to the local wildlife I was able to further explore the area on daily walks, visually identifying a new localised material palette. Taking a few fallen, dead or invasive materials at a time I slowly built a library of colour and fibre in response to place. This project forms the very beginning of an ongoing material led investigation into localised resources and place based making. 

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Summer in the forest

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Autumn in the forest

Learning about the flora of the forest,

Categorising plant species into positve and negative. â€‹â€‹â€‹â€‹â€‹

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Negative : 

Purple Moor Grass

Bracken 

Gorse 

Birch 

Laurel 

Rhododendrum 

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​​Positive : 

cross leaved heather / common heather 

Sallow / goat willow 

​pine

soft rush / bull rush 

broom 

bilberry 

hard fern 

sphagnum moss 

pendulous sedge 

brambles 

oak 

sweet chesnut 

beech 

ash 

alder 

hazel 

yew 

holly 

ivy 

yellow flag iris

Colour from the forest : 

2025 has been a fruitfull year with a bounty of acorns, oaks galls, tree nuts, cones and leaves. Crunching acorns underfoot for most of the Autumn I gathered a variety of materials to make dye, inks and paints from. I also collected some iron rich water from a forest stream to modify my dyes and inks - reacting the tannin rich plant material with iron to turn yellow and browns to various hues of black.​

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Bramble Dye

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Nettle Dye

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Sweet Chesnut & Goat Willow Bark Dye

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Beech Nut Dye

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Acorn Dye

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Spruce Cone Dye

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Alder Cone Dye

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Knopper Gall

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Apple Gall

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Marble Gall

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Soaking chesnut & goat willow bark

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Ground galls

Iron rich forest stream

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Inks and watercolours from oak galls, bark and leaves

photos of :

iron water and stream 

tannin rich bark bath - chesnut and willow

powdered oak galls 

making ochre pastel etc 

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Forest inks painting

 Fibres from the forest : ​

Collecting sedges, rushes, grasses and brambles I seperated fibres to make cordage and created a collection of simple weavings, learning the flexibility and breaking point of fresh, dry and rewetted fibres. These makings continued to change whilst hung on the studio wall, further curling, shrinking and warping with time, showing natures hand still present in the materials. 

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Quick cordage made from Purple Moor Grass (invasive) whilst on a June walk with Tom

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Goat Willow / Sallow Bark

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Pendulous sedge weaving (fresh)

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Pendulous sedge weaving (fresh)

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Cordage making with Tom whilst sat at Mungo's Waterfall 

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Yellow Flag Iris, Soft Rush, Purple Moor Grass

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Pendulous sedge weaving (fresh)

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Pendulous sedge weaving (dried)

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Bramble fibre extraction

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Pendulous sedge cordage

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Grass braiding

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Yellow flag iris cordage (autumn growth)

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Yellow flag iris cordage (spring / summer growth)

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